“On the Writing Process”

(Continuation of “On Writing in Iran”)

One English teacher told me that writing was a process and everyone’s process was different. I laughed. A process? Ha! It’s more like a Pollack. Throw it on the ground and get mad. Maybe get a little drunk. Fling some ideas onto it and see what splatters, what oozes, what drips right off the canvas. Look at it closely and get a little paint on the tip of your nose. Then realize that your looking at abstraction and step back in exhaustion. Only to realize that amongst the chaos, you created a fractal.

A.Sadeghipour.Cursive.jpgI once got into a fight with my ex over cursive. He didn’t understand why they still taught cursive when all assignments could be typed up. He didn’t understand why people wouldn’t print legibly instead of writing in doodles. He just didn’t understand that without this physical representation of my swirly, compacted, blending letters, I would be voiceless. I have to see myself on paper. I have to be reminded of my home language. I have to feel my thoughts transition from some metaphysical brain plane to a visually jumbled blue inked representation. I have to see my thoughts in my writing.

And now, it is so strange to say, that I am approaching the end of my path. I look back on the moments that hurt me the most. Pain is a cruel teacher. But, I learned from those scars and calluses and I think to myself, “Maybe it was a dangerous mistake to put a pen in my hand. To leave me with the words I knew how to use but not why to use them. Because I remember them and my needle draws blood from black and blue.” You and I have made me the writer that I am.

(Continued in “On Written Knowledge”)

Published by Allia (A.E.) Sadeghipour

"When I was a little girl, a spirit followed me to Las Vegas. Running alongside the moving truck, it's legs twisting into wings, it howled, 'Write damn you!'" Allia (A.E.) Sadeghipour is a Queer Iranian-American Surrealist, humanist, writer, teacher, punk and poet. She is the President of the Women* Writing Berlin Lab (WWBL) and taught workshops for GLADT and Feminist film organizations. She won the Sherry Debrowski Prize for Best Feminist Multi-Genre Fiction writer in 2009 and has not stopped since. Most recently, her work has been featured in: The Bear: Favorite Storyteller (2018 & 2020), KCRW and the Goethe Institute (2018 & 2020), The V Series Poetry Anthology (2019), Berlin Untelevised (2019), Coven (2019), What's Afghan Punk Rock Anyway?! (2019), The Ghosts of Berlin: Der Geister von Berlin (2019), Literarische Diverse (2019), Teach the Rainbow: Insights from LGBTeachers about Queer Visibility (2020), and much more. She has had the honor of performing for GLADT, Wicked, Nightschool Berlin, Viva Con Aqua, the IDP Collective, and the Iranian Re(connect) Festival. By sharing her narratives and perspectives, she hopes to reach out to the world and introduce them to hers: www.awerfjil.com.  @awerfjil #awerfjil

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